{"id":42,"date":"2024-05-17T13:51:20","date_gmt":"2024-05-17T10:51:20","guid":{"rendered":"https:\/\/siteblog.tuc.gr\/akouroutaki\/?page_id=42"},"modified":"2024-05-30T19:28:28","modified_gmt":"2024-05-30T16:28:28","slug":"articles","status":"publish","type":"page","link":"https:\/\/siteblog.tuc.gr\/akouroutaki\/articles\/","title":{"rendered":"Articles"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-greek-news-agenda wp-block-embed-greek-news-agenda\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"w38qUihDMg\"><a href=\"https:\/\/www.greeknewsagenda.gr\/kouroutaki-acropolis\/\">The Acropolis and the Parthenon in Modern Greek art as symbols of national and world heritage<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;The Acropolis and the Parthenon in Modern Greek art as symbols of national and world heritage&#8221; &#8212; Greek News Agenda\" src=\"https:\/\/www.greeknewsagenda.gr\/kouroutaki-acropolis\/embed\/#?secret=GrKBoEhQiA#?secret=w38qUihDMg\" data-secret=\"w38qUihDMg\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-greek-news-agenda wp-block-embed-greek-news-agenda\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"mRvfZOByLA\"><a href=\"https:\/\/www.greeknewsagenda.gr\/kouroutaki-easter-2020\/\">Byzantine tradition and western influences on the iconography of the Divine Passion in religious paintings at the Prefecture of Chania (17th-20th century)<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;Byzantine tradition and western influences on the iconography of the Divine Passion in religious paintings at the Prefecture of Chania (17th-20th century)&#8221; &#8212; Greek News Agenda\" src=\"https:\/\/www.greeknewsagenda.gr\/kouroutaki-easter-2020\/embed\/#?secret=vsazFf97iu#?secret=mRvfZOByLA\" data-secret=\"mRvfZOByLA\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-greek-news-agenda wp-block-embed-greek-news-agenda\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"zCwVEPBMU8\"><a href=\"https:\/\/www.greeknewsagenda.gr\/kouroutaki-2019\/\">Art historian Alexandra Kouroutaki on Nativity in 20th-century hagiography in Chania<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;Art historian Alexandra Kouroutaki on Nativity in 20th-century hagiography in Chania&#8221; &#8212; Greek News Agenda\" src=\"https:\/\/www.greeknewsagenda.gr\/kouroutaki-2019\/embed\/#?secret=R8m67Rq4cp#?secret=zCwVEPBMU8\" data-secret=\"zCwVEPBMU8\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-greek-news-agenda wp-block-embed-greek-news-agenda\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"zAqgnmVJlj\"><a href=\"https:\/\/www.greeknewsagenda.gr\/kouroutaki-erotokritos\/\">Art historian Alexandra Kouroutaki on Erotokritos\u2019 intercultural substance and influence on Greek painting<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;Art historian Alexandra Kouroutaki on Erotokritos\u2019 intercultural substance and influence on Greek painting&#8221; &#8212; Greek News Agenda\" src=\"https:\/\/www.greeknewsagenda.gr\/kouroutaki-erotokritos\/embed\/#?secret=73jtjIznS4#?secret=zAqgnmVJlj\" data-secret=\"zAqgnmVJlj\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-greek-news-agenda wp-block-embed-greek-news-agenda\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"FH7d6amZVK\"><a href=\"https:\/\/www.greeknewsagenda.gr\/kouroutaki\/\">Art historian Alexandra Kouroutaki on Christmas in Modern Greek painting<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;Art historian Alexandra Kouroutaki on Christmas in Modern Greek painting&#8221; &#8212; Greek News Agenda\" src=\"https:\/\/www.greeknewsagenda.gr\/kouroutaki\/embed\/#?secret=WdbMaWjDQS#?secret=FH7d6amZVK\" data-secret=\"FH7d6amZVK\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Cahiers Balkaniques, n. 49, INALCO \u2013 Alexandra Kouroutaki (contribution sur Thalia\u00a0Kalligianni)<br>https:\/\/journals.openedition.org\/ceb\/19538<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-afpu-diffusion wp-block-embed-afpu-diffusion\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"SZCSCchMm1\"><a href=\"https:\/\/www.afpu-diffusion.fr\/ouvrage\/varia-4\/\">Varia<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00ab\u00a0Varia\u00a0\u00bb &#8212; AFPU Diffusion\" src=\"https:\/\/www.afpu-diffusion.fr\/ouvrage\/varia-4\/embed\/#?secret=nBjkrg28W2#?secret=SZCSCchMm1\" data-secret=\"SZCSCchMm1\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-grece-hebdo wp-block-embed-grece-hebdo\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"rqcGu7x6tt\"><a href=\"https:\/\/www.grecehebdo.gr\/alexandra-kouroutaki-historienne-d-art-sur-la-substance-interculturelle-d-erotokritos-et-son-influence-sur-la-peinture-grecque\/\">La substance interculturelle d&#8217;Erotokritos et son influence sur la peinture n\u00e9ohell\u00e9nique<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;La substance interculturelle d&#8217;Erotokritos et son influence sur la peinture n\u00e9ohell\u00e9nique&#8221; &#8212; Gr\u00e8ce Hebdo\" src=\"https:\/\/www.grecehebdo.gr\/alexandra-kouroutaki-historienne-d-art-sur-la-substance-interculturelle-d-erotokritos-et-son-influence-sur-la-peinture-grecque\/embed\/#?secret=QapXtBrEwn#?secret=rqcGu7x6tt\" data-secret=\"rqcGu7x6tt\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-grece-hebdo wp-block-embed-grece-hebdo\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"Zh4g67Aq61\"><a href=\"https:\/\/www.grecehebdo.gr\/alexandra-kouroutaki-historienne-d-art-sur-les-representations-de-la-nativite-dans-le-domaine-de-la-peinture-religieuse-orthodoxe-a-la-canee-crete-au-xxe-siecle\/\">Les Repr\u00e9sentations de la Nativit\u00e9  dans le domaine de la peinture religieuse Orthodoxe \u00e0 la Can\u00e9e (Cr\u00e8te) au XXe si\u00e8cle<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;Les Repr\u00e9sentations de la Nativit\u00e9  dans le domaine de la peinture religieuse Orthodoxe \u00e0 la Can\u00e9e (Cr\u00e8te) au XXe si\u00e8cle&#8221; &#8212; Gr\u00e8ce Hebdo\" src=\"https:\/\/www.grecehebdo.gr\/alexandra-kouroutaki-historienne-d-art-sur-les-representations-de-la-nativite-dans-le-domaine-de-la-peinture-religieuse-orthodoxe-a-la-canee-crete-au-xxe-siecle\/embed\/#?secret=4PM2VK3zce#?secret=Zh4g67Aq61\" data-secret=\"Zh4g67Aq61\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-grece-hebdo wp-block-embed-grece-hebdo\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"dhyKt16Qsm\"><a href=\"https:\/\/www.grecehebdo.gr\/tradition-byzantine-et-influences-occidentales-sur-l-iconographie-de-la-passion-dans-la-peinture-religieuse-orthodoxe-de-la-canee-crete-17e-20e-siecle\/\">Tradition byzantine et influences occidentales sur l&#8217;iconographie de la Passion dans la peinture religieuse Orthodoxe de la Can\u00e9e (Cr\u00e8te) | 17e &#8211; 20e si\u00e8cle<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;Tradition byzantine et influences occidentales sur l&#8217;iconographie de la Passion dans la peinture religieuse Orthodoxe de la Can\u00e9e (Cr\u00e8te) | 17e &#8211; 20e si\u00e8cle&#8221; &#8212; Gr\u00e8ce Hebdo\" src=\"https:\/\/www.grecehebdo.gr\/tradition-byzantine-et-influences-occidentales-sur-l-iconographie-de-la-passion-dans-la-peinture-religieuse-orthodoxe-de-la-canee-crete-17e-20e-siecle\/embed\/#?secret=AoLLgrpe0U#?secret=dhyKt16Qsm\" data-secret=\"dhyKt16Qsm\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-grece-hebdo wp-block-embed-grece-hebdo\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"i8Oa46Grpw\"><a href=\"https:\/\/www.grecehebdo.gr\/lacropole-et-le-parthenon-dans-lart-neohellenique-comme-emblemes-du-patrimoine-national-et-mondial\/\">L\u2019Acropole et le Parth\u00e9non dans l\u2019art N\u00e9ohell\u00e9nique comme embl\u00e8mes du patrimoine national et mondial<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;L\u2019Acropole et le Parth\u00e9non dans l\u2019art N\u00e9ohell\u00e9nique comme embl\u00e8mes du patrimoine national et mondial&#8221; &#8212; Gr\u00e8ce Hebdo\" src=\"https:\/\/www.grecehebdo.gr\/lacropole-et-le-parthenon-dans-lart-neohellenique-comme-emblemes-du-patrimoine-national-et-mondial\/embed\/#?secret=tMaFLIl4Ku#?secret=i8Oa46Grpw\" data-secret=\"i8Oa46Grpw\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-grece-hebdo wp-block-embed-grece-hebdo\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"q74kWztLb5\"><a href=\"https:\/\/www.grecehebdo.gr\/noel-en-peinture-neohellenique-interview-avec-lhistorien-dart-alexandra-kouroutaki\/\">\u039d\u03bf\u00ebl en peinture n\u00e9ohell\u00e9nique |  Interview avec l\u2019historienne de l&#8217;art Alexandra Kouroutaki<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;\u039d\u03bf\u00ebl en peinture n\u00e9ohell\u00e9nique |  Interview avec l\u2019historienne de l&#8217;art Alexandra Kouroutaki&#8221; &#8212; Gr\u00e8ce Hebdo\" src=\"https:\/\/www.grecehebdo.gr\/noel-en-peinture-neohellenique-interview-avec-lhistorien-dart-alexandra-kouroutaki\/embed\/#?secret=GBZz7WJbvt#?secret=q74kWztLb5\" data-secret=\"q74kWztLb5\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Cahiers Balkaniques, n. 49, INALCO \u2013 Alexandra Kouroutaki (contribution sur Thalia\u00a0Kalligianni)https:\/\/journals.openedition.org\/ceb\/19538<\/p>\n<a class=\"moretag noptoppad\" href=\"https:\/\/siteblog.tuc.gr\/akouroutaki\/articles\/\">Read More...<\/a>","protected":false},"author":511,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-42","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/siteblog.tuc.gr\/akouroutaki\/wp-json\/wp\/v2\/pages\/42","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siteblog.tuc.gr\/akouroutaki\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/siteblog.tuc.gr\/akouroutaki\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/siteblog.tuc.gr\/akouroutaki\/wp-json\/wp\/v2\/users\/511"}],"replies":[{"embeddable":true,"href":"https:\/\/siteblog.tuc.gr\/akouroutaki\/wp-json\/wp\/v2\/comments?post=42"}],"version-history":[{"count":6,"href":"https:\/\/siteblog.tuc.gr\/akouroutaki\/wp-json\/wp\/v2\/pages\/42\/revisions"}],"predecessor-version":[{"id":74,"href":"https:\/\/siteblog.tuc.gr\/akouroutaki\/wp-json\/wp\/v2\/pages\/42\/revisions\/74"}],"wp:attachment":[{"href":"https:\/\/siteblog.tuc.gr\/akouroutaki\/wp-json\/wp\/v2\/media?parent=42"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}