{"id":100,"date":"2016-05-13T23:19:49","date_gmt":"2016-05-13T20:19:49","guid":{"rendered":"http:\/\/siteblog.tuc.gr\/cpapadopoulos1\/?p=100"},"modified":"2016-05-13T23:19:49","modified_gmt":"2016-05-13T20:19:49","slug":"the-secret-of-the-mpc-groove","status":"publish","type":"post","link":"https:\/\/siteblog.tuc.gr\/cpapadopoulos1\/2016\/05\/13\/the-secret-of-the-mpc-groove\/","title":{"rendered":"The secret of the MPC Groove"},"content":{"rendered":"<p>MPC groove is kind of\u00a0an urban legend. The real story is your cuts\/edits are out of sync because there was no\u00a0visual editor on the famed\u00a0MPC3000 nor the MPC60. Even after you quantized, the samples were still off because of the splices. You can replicate this in your DAW software\u00a0using the <strong>delay<\/strong> feature, adding or subtracting milliseconds to samples to add groove.<\/p>\n<p>For example in Ableton Live, you can do the following to your samples:<\/p>\n<p><a href=\"http:\/\/siteblog.tuc.gr\/cpapadopoulos1\/wp-content\/uploads\/sites\/136\/2016\/05\/new400-282x300.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-101\" src=\"http:\/\/siteblog.tuc.gr\/cpapadopoulos1\/wp-content\/uploads\/sites\/136\/2016\/05\/new400-282x300.jpg\" alt=\"new400-282x300\" width=\"282\" height=\"300\" \/><\/a><\/p>\n<p>The pad-based Akai MPC samplers were all the rage in the early hip-hop days and are still popular today, as they let producers tap out their own grooves. You don&#8217;t need an MPC to play your own groove &#8211; you could use any MIDI controller, or perhaps beatbox and use hitpoint editing.<\/p>\n<p>&nbsp;<\/p>\n<p>Source: <a href=\"http:\/\/blog.landr.com\/5-essential-beatmaking-tips-alexkid\/\" target=\"_blank\">Tips<\/a> &amp; <a href=\"http:\/\/www.musicradar.com\/tuition\/tech\/24-hip-hop-tips-for-better-beats-and-vocals-537314\" target=\"_blank\">Tricks<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>MPC groove is kind of\u00a0an urban legend. The real story is your cuts\/edits are out of sync because there was no\u00a0visual editor on the famed\u00a0MPC3000 nor the MPC60. Even after you quantized, the samples were still off because of the splices. You can replicate this in your DAW software\u00a0using the delay feature, adding or subtracting [&hellip;]<\/p>\n","protected":false},"author":109,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-100","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/siteblog.tuc.gr\/cpapadopoulos1\/wp-json\/wp\/v2\/posts\/100","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/siteblog.tuc.gr\/cpapadopoulos1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/siteblog.tuc.gr\/cpapadopoulos1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/siteblog.tuc.gr\/cpapadopoulos1\/wp-json\/wp\/v2\/users\/109"}],"replies":[{"embeddable":true,"href":"https:\/\/siteblog.tuc.gr\/cpapadopoulos1\/wp-json\/wp\/v2\/comments?post=100"}],"version-history":[{"count":2,"href":"https:\/\/siteblog.tuc.gr\/cpapadopoulos1\/wp-json\/wp\/v2\/posts\/100\/revisions"}],"predecessor-version":[{"id":193,"href":"https:\/\/siteblog.tuc.gr\/cpapadopoulos1\/wp-json\/wp\/v2\/posts\/100\/revisions\/193"}],"wp:attachment":[{"href":"https:\/\/siteblog.tuc.gr\/cpapadopoulos1\/wp-json\/wp\/v2\/media?parent=100"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/siteblog.tuc.gr\/cpapadopoulos1\/wp-json\/wp\/v2\/categories?post=100"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/siteblog.tuc.gr\/cpapadopoulos1\/wp-json\/wp\/v2\/tags?post=100"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}